GUEST BLOGGER: Jolene Dawe
I sat staring at the screen for weeks, trying to figure out how to write this. Fairy Queen of Spencer's Butte and Other Tales
is the first book I've published that I've actively tried to push -- and I suppose, if I'm being honest, "actively tried to push" isn't quite right. Still, I've done more to get the word out about this book than I have with my other indie published book -- and I think this book has a wider audience appeal.
is the first book I've published that I've actively tried to push -- and I suppose, if I'm being honest, "actively tried to push" isn't quite right. Still, I've done more to get the word out about this book than I have with my other indie published book -- and I think this book has a wider audience appeal.
That said, talking about it is hard. I'm new enough
at indie publishing that I haven't yet made up in my mind how I want to
present myself, publicly. And this indecision has caused me angst.
This, I think, is going to be the most difficult part of publishing
independently. It's preventing me from pushing the book as well as I
could be. Why?
I haven't yet figured out if -- or how -- I can speak about Fairy Queen of Spencer's Butte and Other Tales without mentioning
the fact that the whole collection is written in homage to the spirits
of this place. I can't speak of The Elk Prince
without pointing out that it's a retelling of a common Pacific Northwest
native tale; I can't talk about The Girl with Mushrooms in Her
Hair without speaking of walks along the beautiful McKenzie
River and the tale the rapids had to share. I can't tell you about
When The Hills Come Courting without mentioning the
small, secret, liminal spaces tucked away all around this city, wanting
and waiting to be discovered. I don't know how to talk about this
collection that was a thanks-giving to the spirits in our adopted home
without pointing out that the collection is, first and foremost, a
thanks-giving. So, I suppose, let me tell you about that.
In 2008, my partner and I packed up our house and
moved West. We came West just as the American economy was crashing,
without the promise of jobs, with a small cushion from having sold her
house, with a very small support group cheering us on. We everything we
needed and more in Eugene, Oregon. Fairy Queen of Spencer's Butte and Other Tales is, simply put,
about my love for this city, the region, and its people.
It wasn't easy, moving across the country from
nearly everyone I know and love. It's not easy remaining here -- I feel
constantly torn in two. Yet, I walk through my neighborhood, so much
like any other neighborhood outside of an urban city, and I can't help
but be infused with the spirit of this place. It goes deeper than simple
surface impressions. Yes, Eugene is a college town. We have fresh blood
coming in every year to help keep place young and hip. We have our long
established tradition of hippies, half in this world, half in other
worlds, wanting to build community, wanting us all to see the
brotherhood of man. We have a fair number of homeless and transients,
some by choice, others by circumstances and hard economic times (and a
number of them caring for unwanted dogs and cats, to boot, which can
only ever be a good thing. Everyone should know love and kindness). And
this is just the humans I'm speaking of. This doesn't touch upon those
who may not be incarnate, or those who are flying about the skies or
crawling through the underbrush, or those who were flesh but came before
and are now beloved ancestors of this place.
Downtown, in front of our library, sits a bronze
statue of the man who gave our city its name: Eugene Skinner. Across the
street, at the bus station, a statue of Rosa Parks sits upon her
bus-bench. Down the street further, Ken Kesey sits reading to a gaggle
of bronze children. Regularly, these statues are adorned with flowers
and other gifts. Ancestor veneration is alive and well in this city;
it's not unreasonable that I should add to it with my humble offering of
stories.
But, do I talk about that? Does this not detract
from the stories themselves? Should I not just be talking about the
collection, and indie publishing? In my mind, it's all interwoven. I
moved here somewhat randomly, but fell in love with Place. Moving as I
did, away from what was known and safe into the unknown, risking much in
the process, engendered a sense of kinship with those who had come
before -- explorers, homesteaders, pioneers, and even further back --
people not fulfilled or satisfied with the life offered back East. This
whole mindset synchs up with indie publishing very nicely: though it
works for some people, it's not the answer for everyone, and alternate
options should (and thanks to the technology at our hands, is) available
for people. We are living in exciting and interesting times, and I, for
one, am fascinated by the changing dynamic between creator and
consumer.
Fairy Queen of Spencer's Butte and Other Tales
is a collection of 12 stories, all inspired by or set in and around the
Willamette Valley of Oregon. They are inspired by the local folktales,
by the shadow of Spencer's Butte in the valley, by the California
poppies ringed around stones, by faces hidden in the blackberry
clusters. They, hopefully, share with you the beauty, magic, and wonder
this place has inspired within me, and it's my greatest hope that they
leave you as nourished as they've left me.
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